Research Playwrights, Librettists, Composers and Lyricists. Lend Me a Tenor characters breakdowns including full descriptions with standard casting requirements and expert analysis. Max succeeds admirably, but Morelli comes to and gets into his other costume ready to perform. I- I could tell him that you're looking for him. This page was last edited on 21 September 2022, at 23:34. And from Shakespeare in Hollywood, I would suggest the short monologue by the character Max Reinhardt in Act I, Scene I, page 17 of the Samuel French edition.As for monologues from other sources, I couldn't tell from your email if you were looking for specifically comic pieces, so I've included a range of my favorite monologues from Shakespeare's plays:From Much Ado About Nothing, there are two great monologues by Benedick. [9] The musical opened in London's West End in June 2011, directed by Ian Talbot and choreographed by Randy Skinner. For the musical adaption, see, "'Opera Buffa' is comedy hit of the season for American Stage Festival. Search. Julia Chairman of the Opera Guild. Sallie Roberts, as Julia, puts on the voice and air reminiscent of the pretentious society matrons featured prominently in the glamorous and/or screwball films of the 1930s. . The first review, in the NH Derry News, called it "one of the most brilliant and inspired new comedies this year. Lend Me a Tenor Play Writers: Ken Ludwig Monologues Sorry! It will be a disaster for the Cleveland opera, and for Saunders himself. Anoka-Ramsey Community College, Maggie Saunders at When Saunders arrives, Max tearfully tells him that Tito is dead. Hello Ken!Wow! I'd be happy to suggest a few monologues for men from my plays as well as some of my favorite monologues from Shakespeare.From my plays, there are three monologues that might be of interest:1. library of free monologues. Brooke Adams. Alan Harbaugh is equally entertaining as the sarcastic bellhop. "Evey lead must be strong," said the Ellicott City resident. A Broadway revival opened in 2010. The play was produced on both the West End (1986) and Broadway (1989). A sequel titled Comedy of Tenors was written by Ludwig. Auditioners for the roles of Max, Tito and Bellhop will be asked to sing from music sides. Tony Shalhoub as Saunders and Brooke Adams as Julia in Lend Me a Tenor. Winner of 3 Tony Awards and 4 Drama Desk Awards, Lend Me A Tenor is set in 1934 as Henry Saunders, the General Manager of the Cleveland Grand Opera Company, is ready to welcome world-famous singer Tito Merelli for his starring role in Pagliacci. However, we have dozens of other monologues that you can read. The winner of two Tony Awards and four Drama Desk Awards has. Power your marketing strategy with perfectly branded videos to drive better ROI. Information: 381-4864. Show Dates: Performances: Mar 6-8, 13-15, 20-21 Friday/Saturday Performances 8pm, Sunday Matinee 2pm LEND ME A TENOR is presented by special arrangement with Samuel French General Information Important: Bring a list of ALL conflicts with you. Also, Tito and Max both find themselves being romantically pursued by Maggie Saunders, and by Diana, the Cleveland Opera's sexy and ambitious soprano. They're sending two of their men over to keep an eye out. New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. VOCAL SCORE LONDON JUNE 2011. . The company, which shies away from musicals, had to scramble to find a music director to arrange the two arias. Alas, Tito arrives late, his tempestuous wife Maria has a fit of jealousy, and it remains to be seen whether Saunders' mousy but determined . character breakdowns, auditions, monologues and more! By the time we reach the endwellits not over. ** Please note that the ages listed are not set in stone. Sign up today to unlock amazing theatre resources and opportunities. Maria returns to the hotel and makes up with the bewildered Tito, while Max manages to step into the bathroom long enough to change out of his Othello costume and wig, and emerge as himself. Search all monologues. "We look for comedies that are fast-moving and designed for good opportunities to laugh. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators . Join StageAgent today and unlock amazing theatre resources and opportunities. Every aspect of the internet, we believe . It was universally acknowledged that he sang like a angel, but apparently he wanted to prove it. "- Desert News, "One of the funniest comedies ever written. It was directed by Larry Carpenter. "Men are hard to get in community theater and here are three demanding roles. Sign up today to unlock amazing theatre resources and opportunities. Tickets are $7 for seniors and students. Thanks so much for writing and all the best for your future in acting!Regards,KenFrom Ken Ludwig's Lend Me A Tenor, Act I, Scene 2:SAUNDERS has just discovered that world-famous opera star, Tito Merell, whom patrons of Cleveland Grand Opera have paid large sums of money see perform the role of Otello that evening, is either unconscious or . The star arrives late and, through a hilarious series of mishaps, is given a . A few seconds later, Tito Merelli returns to the hotel suite, also dressed as Othello, in a costume, wig, and blackface makeup. Aurora University Theater. Saunders tells Max to quickly change out of his Othello costume and makeup, while he goes downstairs to handle the police. At the end of the play, things are sorted out. CCP decided two years ago to limit its annual lineup to light comedy. The star arrives late and, through a hilarious series of mishaps, is given a double dose of tranquilizers and passes out. New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall Gain full access to show guides, character breakdowns, auditions, monologues and more! Both are from Act II, Scene 3: The first one is at the beginning of the act and begins, "I do much wonder that one man" and the second one is towards the end of Act II and begins, "This can be no trick"From Henry IV, Part 1, I'd suggest Falstaff's speech in Act II, Scene 4, that begins, "If sack and sugar be a fault, God help the wicked. Report this file. For the rest of the play, Max and Titowho are identical in their Othello costumes and makeupare repeatedly mistaken for each other, as they alternately run in and out of the hotel suite. Portrayals Overview; Characters; Videos; Monologues; Scenes; . The opera performance will have to be cancelled, and the audience will demand their money back. Host virtual events and webinars to increase engagement and generate leads. Tito and Maria leave together, while Saunders accompanies Diana to a downstairs reception. Maria writes Tito a "Dear John" letter, and leaves the hotel. It starts spinning early in the show and just never stops. Every time they enter a room, open a door, or even open their mouths you just cant expect what happens. Henry Saunders -- General Manager of the company -- is beyond stressed about everything turning out right, and insists that his assistant, Max -- a nervous, young fellow and secret tenor extraordinaire -- watch over Titos every move to ensure smooth sailing. And Im doubly excited that its performing on the newly-renovated NorShor stage. The angst-free farce "Lend Me A Tenor" was written by Washington attorney Ken Ludwig and produced in 1989 by Andrew Lloyd Webber. When Tito returns to the bedroom, he finds Maria's note. Maggie. During Max's performance, the "lunatic" tried to force his way into the opera house, hit a policeman who tried to stop him, and ran away. Lend Me A Tenoris set in September 1934. Now two clowns are running around in costume and two women are running around in lingerie, each thinking she is with Il Stupendo. End of the road. Part Size: Lead. It received nine Tony Award nominations and won for Best Actor (Philip Bosco) and Best Director (Jerry Zaks). New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall Much later (Scene II), Max is unable to wake Tito from his nap. As the second act opens, Saunders and Max return to the hotel suite. Research Playwrights, Librettists, Composers and Lyricists. A surprise Curtain Call pushes it even further over the edge leaving both cast and audience fatigued from laughter. Maggie: 20-29. a classic 1930s ingnue, in love with Max, who . Max returns to the bedroom, but is shocked and horrified to find Tito is missing from the bed. Saunders' harried assistant, Max, is also in the hotel suite. New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall Ladies and gentlemen Mr. Tito Merelli killed himself this afternoon, thereby depriving many ofa great pleasure. The play, originally titled Opera Buffa, had been produced at a summer theater, American Stage Festival, Milford, NH, in 1985. IBDB provides a comprehensive database of shows produced on Broadway, including all "title page" information about each production. Maria. Take a look at our MAGGIE SAUNDERS: Saunder's daughter, and Max's girlfriend. Johnna Leary - "Lend Me A Tenor" Monologue - YouTube Maggie's Act 2 Monologue from LEND ME A TENOR Maggie's Act 2 Monologue from LEND ME A TENOR. Saunders and Max try to go on with the show despite the array of women hiding in bathrooms and closets. This article is about the play. New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall They'll start arriving any minute now. These eight characters are insane (every one of them!) Search all monologues from plays. Join StageAgent today and unlock amazing theatre resources and opportunities. Lend Me a Tenorhas been translated into sixteen languages and produced in twenty-five countries. Frantic and on the run from the police, Tito is even more confused when other characters in the play show up to congratulate him on his "magnificent performance" as Othello. It was a major challenge to find two very good actors who could sing, even though it's only for a short time.". scenes from TENOR will be used. Gain full access to show guides, character breakdowns, auditions, monologues and more! Eventually, Diana seduces Tito in the bedroom, while Maggie simultaneously seduces Max (who she thinks is Tito) in the living room. DOWNLOAD PDF . A hotel suite in Cleveland, Ohio, in 1934. a world-famous tenor, known to fans as Il Stupendo, Maggie's father, GM of The Cleveland Grand Opera Company, The Shubert Organization (Philip J. Smith: Chairman; Robert E. Wankel: President), Wendy Federman/Jamie deRoy/Richard Winkler. I mean, I just want to be helpful. When he learns that Max is an aspiring opera singer, Tito kindly gives Max a singing lesson, teaching him to "loosen up" and sing with more confidence. Max navigates the company through one catastrophe after the next -- an angry wife, a presumed death, crazy costumes, secret sex romps, and loads and loads of slamming doors and mistaken identities -- and, ultimately, takes on the role of Otello to great effect. Description Lend Me A Tenor Act I Account 157.55.39.99. Also there is Maggie Saunders, Henry's daughter and Max's sometime girlfriend. The Broadway League is the national trade association for the Broadway industry. Maggie Saunders at Cedar Street Players . Ken Ludwigs Lend Me A Tenor was first presented at the American Stage Festival, Milford, New Hampshire on August 1, 1985, with the following cast: MAX - Walter Bobbie; MAGGIE - Christine Rose; SAUNDERS - George Ede; TITO - Ronald Holgate; MARIA - Judith Roberts; BELLHOP - Joe Palmieri; DIANA - Linda Lee Johnson; JULIA - Bella Jarrett, Directed by Larry Carpenter; Set Design by John Falabella; Costume Design by David Murin; Lighting by John Gisondi. "- Phoenix News Times, "A rib tickling comedy. The 21-year-old company's other productions include "Cafe Theater," opening in March, and Carl Reiner's "Enter Laughing," slated for May. By the time we reach the endwellits not over. Add a few lines about how he was wounded in the Battle of Cyprus, then carry him around the stage on a stretcher.Whats that? Max is mistaken for Tito, and Tito is mistaken for Max by Saunders. A rehearsal schedule will be available The show opens in 1934 on an elegant Cleveland hotel suite as Henry Saunders, the manager of the local opera company, ascends into hysteria. New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. Leigh Anne Hamlin performs one of. "The play allows for that. And bring your running shoes because once we start, we arent stopping., These eight characters are insane (every one of them!) When they grabbed him he actually hit a policeman. Tito and Max sing a duet together ("Dio, che nell'alma infondere" from Verdi's Don Carlos). At that moment, the handsome, charismatic and heavily accented "Il Stupendo" makes a dramatic entrance with his equally dramatic, hot-tempered wife, Maria. Possum Point Players, Tech Crew at It's unbelieveable but it's written strongly enough for the audience to suspend disbelief.". As is typical of farces, mistaken identities and double entendres reign until everything resolves happily. I hope nothing happens. Victor Carr, as the tyrannical Saunders, manages to pace his perpetual hysteria without peaking prematurely. Oh oh oh absolutely. We don't currently have any monologues from Lend Me a Tenor. New York, NY, Linda Ray "Then there is the singing. Directed by Stanley Tucci, the cast starred Anthony LaPaglia (Tito Merelli), Jay Klaitz (Frank the Bellhop), Justin Bartha (Max), Jan Maxwell (Maria), Mary Catherine Garrison (Maggie), Jennifer Laura Thompson (Diana), and husband and wife couple Tony Shalhoub (Saunders) and Brooke Adams (Julia). Max manages to calm Tito down, and takes the singer into the bedroom, where Tito lies down on the bed for a rest. Still wearing his Othello costume, Max leaves the hotel suite and runs to find Saunders. One thundering orgasm of insane violence! "We made a conscious decision to stay away from theater that's thought-provoking and asks serious questions," said Steve Moore, president of CCP. The understudy. Max's gradual transformation from quivering nebbish to commanding impostor reflects the acting range of actor Aric-James Darroe. Thanks so much for writing and all the best for your future in acting!Regards,KenFrom Ken Ludwigs Lend Me A Tenor, Act I, Scene 2:SAUNDERS has just discovered that world-famous opera star, Tito Merell, whom patrons of Cleveland Grand Opera have paid large sums of money see perform the role of Otello that evening, is either unconscious or dead. Throw in Diana, an ambitious, female co-star; Maggie, Max's giddy girlfriend; Julia, a flirty head of the opera guild; and a meddling bellhop fighting for Tito's attention. MAX, his assistant, suggests that the performance go on as scheduled, with the understudy playing the starring role instead. [11], In 2019 the official licensed performance script was revised by Ken Ludwig, removing all references to Otello and replacing them with Pagliacci.[12][13]. Audition Monologue #1 (Female) It's no good you going on. Joyce Luy, as the flamboyant Maria, who makes every entrance and exit memorable with her body moves and stunning red gown, brings the house down whenever she opens her mouth. History. Inspire employees with compelling live and on-demand video experiences. "The ensemble group gets to bring a lot to the play," said Mr. Moore of Columbia. Partner Sites Youtube to Mp3 Converter About Us This project started as a student project in 2014 and was presented in 2017. I've included this monologue below, since it requires putting three speeches together.2. Horrified that his wife has left him, Tito goes into a fit of passion and tries to "kill himself" with various non-lethal objects (e.g. History Lend Me a Tenor was first presented at the American Stage Festival, Milford, New Hampshire on August 1, 1985. Casting the comedy "Lend Me a Tenor." Production description: "World famous opera singer Tito Mirelli has come to Cleveland to perform. IBDB (Internet Broadway Database) archive is the official database for Broadway theatre information. Here are a few of my favorite speeches from those plays:From Hamlet: Act II Sc 2: "Oh what a rouge and peasant slave am I!" and Act I, Scene 2: "Oh that this too too solid flesh would melt"And from Macbeth, I'd look at Act II Scene 1: "Is this a dagger which I see before me? Casting "Lend Me a Tenor." Note: All actors must be first-rate farceurs with excellent verbal skills. Skip the announcement, stick a note in the programme The role of Otello will be sung by Albert Rupp. And then if there is anyone still in the audience when he takes his bow, they can stone him to death? Gain full access to show guides, character breakdowns, auditions, monologues and more! Singing is not required for any role, however, if Tito and Max can sing, we may switch to live performance singing as opposed to recordings. The play was subsequently presented by Andrew Lloyd Webber for The Really Useful Company at the Globe Theatre, London on March 6, 1986 with the following cast: MAX - Denis Lawson; MAGGIE - Jan Francis; SAUNDERS - John Barron; TITO - Ronald Holgate; MARIA - Anna Nocholas; BELLHOP - Edward Hibbert; DIANA - Gwendolyn Humble; JULIA - Josephine Blake, Directed by David Gilmore; Designed by Terry Parsons; Lighting by Michael Northen. Maggie . I suppose we'd better go. In the sitting room, Max gives Tito a tranquilizer-laced drink, trying to calm him down before the performance. She has a great admiration for Tito. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world famous, Tito Morelli, Il Stupendo, the greatest tenor of his generation, to appear for one night only as Canio from Pagliacci. from Seeking 2 Actor Team for Spring The pacing is so fast and the lines so similar, that it's difficult to get the right words out at the right time.". The play opened in a revival in New York City on April 4, 2010 at the Music Box Theater produced by The Araca Group,Stuart Thompson,Carl Moellenberg,Rodney Rigby,Olympus Theatricals,Broadway Across AmericaandThe Shubert Organization (Philip J. Smith: Chairman; Robert E. Wankel: President) with the following cast: MAX - Justin Bartha; MAGGIE - Mary Catherine Garrison; SAUNDERS - Tony Shalhoub; TITO - Anthony LaPaglia; MARIA - Jan Maxwell; BELLHOP - Jay Klaitz; DIANA - Jennifer Laura Thompson; JULIA - Brooke Adams, Directed by Stanley Tucci; Set Design by John Lee Beatty; Costume Design by Martin Pakledinaz; Lighting by Kenneth Posner; Sound Design byPeter Hylenski; Hair and Wig Design byPaul Huntley; Make-Up Design byJoe Dulude, II; Associate Scenic Design:Kacie Hultgren; Associate Costume Design:Sarah Sophia Lidz; Associate Lighting Design:Aaron Spivey; Associate Sound Design:Keith Caggiano, ArtZany: Lend Me a Tenor with director Marc Robinson, LEND ME A TENOR Is Frantic, Frenetic Farce at Theatre Harrisburg, Ask Someone to Lend You a Ticket to LEND ME A TENOR. Still do the performance? But Tito arrives sick from overeating and Maria is angry at his flirting and infidelities. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world famous, Tito Morelli, Il Stupendo, the greatest tenor of his generation, to appear for one night only as Canio from Pagliacci. As Scene I of the play opens, Henry Saunders, general manager of the Cleveland Grand Opera Company, is anxiously awaiting the arrival of Tito Merelli, a world-famous Italian opera tenor, known as "Il Stupendo" to his many fans. Group rates are available. Jane Summerhays and J. Smith-Cameron Photo: Martha Swope, Philip Bosco as Saunders - Jane Connell as Julia - Tovah Feldshuh as Maria Photo: Martha Swope, Lend Me A Tenor at the Theater in der Josefstadt in Vienna, Austria starring Otto Schenk, 2 Tony Awards - for Best Direction of a Play and Best Actor in a Play (Philip Bosco), 5 Tony Award Nominations including Best Play, 3 Outer Critics Circle Awards - for Best Set, Best Costume and Best Lighting Design, 4 Drama Desk Awards - for Outstanding Actor in a play (Philip Bosco), Best Costume Design, Best Director and Outstanding Featured Actress in a play (Tovah Feldshuh), Oliver Award for Comedy of the Year (nominee), A remarkable piece of theatre a masterpiece Author Ken Ludwig has verve, a sound grasp of plot mechanics and a rare ability to couple high art with low comedy.- The London Times, One of two great farces by a living writer.- The New York Times"Ken Ludwig's 1989 Tony-winning comedy is one of only two classic farces by a living playwright, the other being Michael Frayn's frenetic "Noises Off"- Daily News, The most inventive, original farce in a long time - Punch, A furiously paced comedy with more than a touch of the Marx brothers A marvelous combination of wonderful farcical moments and funny lines.- Time Out, Hilariously over the top.- The Manchester Guardian, Fills the theatre with the sound of laughter.- The (London) Sunday Express, Free flowing honest-to-goodness unforced farce.- New York Magazine, Its hilarious The funniest show on Broadway.- WNEW, "A rollercoaster of fun for everybody in the buildinga solid, constantly accelerating snowball of a comedy! A sensation on Broadway and in Londons West End, this madcap, screwball comedy is guaranteed to leave audiences teary-eyed with laughter. . A musical inside a musical will unfold at Southern Illinois University Edwardsville when. AUDITION REQUIREMENTS: Please bring a current headshot & resume. Maggie, who is her unsure of her feelings for the suave-less Max, whom she has dated for years, tries to get her hands on the hot-blooded Il Stupendo by hiding in his bedroom closet. Together, Max and Saunders find a way to save the Opera Companys big night in grand, farcical fashion. Make Salome look like The Merry Widow!To ask Ken a question, click here. Tito finally arrives at the hotel suite, accompanied by his hot-tempered Italian wife, Maria, who is jealous because Tito flirts with other women. Vocal Part: Spoken. A hotel suite in Cleveland, Ohio in 1934. Oh my god. Max reluctantly agrees to the plan. Lend Me a Tenor by Ken LudwigRole: MaggieMaggie Saunders is found by Max, who is disguised as Tito Mirelli, in the Opera Star's hotel suite.I played this rol. Come join me, will you? The Columbia Community Players will present "Lend Me a Tenor" at 8 p.m. today and tomorrow, and Nov. 4 and Nov. 5 at Slayton House in Columbia. Twenty-Five countries peaking prematurely Ludwig and produced in 1989 by Andrew Lloyd Webber ago to limit its lineup! Sixteen languages and produced in 1989 by Andrew Lloyd Webber monologues and more have dozens of other monologues you..., while he goes downstairs to handle the police in the sitting,! Be asked to sing from music sides Maria leave together, Max tearfully tells that. Tito is mistaken for Max by Saunders which shies away from musicals, had to scramble to find music... Each thinking she is with Il Stupendo cast and audience fatigued from.. His assistant, Max gives Tito a `` Dear John '' letter, and for Saunders himself, Max... 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